FIELD NO. 1 - Acrylic on canvas board. Four panels, arranged without digital modification. The base colors, cobalt blue, forest green, orange, and purple, feel lifted directly from an early-summer wildflower field, and the progression across each panel pulls them toward darkness or light depending on which edge they meet. One of the most direct statements in the collection. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 2 - Acrylic on canvas board. Four panels, unmodified. Where No. 1 is cool and grounded, No. 2 runs warmer, red, gold, and sky blue dominate, with the panels shifting and separating in ways that feel almost restless. The black and white lines do more structural work here than anywhere else in the early sequence. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 3 - Acrylic on canvas board. Four panels, unmodified. The warmest and most saturated piece in the collection, crimson, burgundy, orange, and green pushed to their limits. The color logic is working at full intensity, and the result feels less like a field and more like the moment just before one catches fire. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 4 - Acrylic on canvas board. Four panels, unmodified. A bold horizontal band of black and white cuts across the middle of the composition, creating a hard horizon line that makes this the most landscape-like piece in the collection. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 5 - Acrylic on canvas board. Four panels, unmodified. The most open and architectural of the early works, large vertical color columns in red, blue, yellow, and teal fill the frame, with black corners anchoring the top and bottom. There is more breathing room here than anywhere else in the collection, and the panels feel less like components of a system and more like windows. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 6 - Acrylic on canvas board. Four panels, unmodified. A restricted palette of teal, dark green, yellow, and deep brown gives this piece a nocturnal quality unlike anything else in the collection. The yellow holds its own against the surrounding darkness with surprising force. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 7 - Acrylic on canvas board. Four panels, modified by crop only. The only landscape-format piece in the collection, and the clearest expression of the horizon as subject. Four strong vertical color columns, teal, yellow, sky blue, and dark blue, are interrupted by a dense horizontal band of smaller color cuts, like a field seen from a distance with the ground detail compressed into a single register. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 8 - Acrylic on canvas board. One panel, duplicated and modified. An outlier in the collection, the duplication and arrangement of a single panel produces something unexpected: less a field than a skyline, with stacked color blocks reading almost like a surreal, minimal cityscape. The color logic is the same, but the context it creates is entirely different. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 9 - Acrylic on canvas board. Sixteen panels, unmodified. The collection's first large-scale all-over composition, full spectrum, no dominant color, the grid extended until the eye has nowhere to rest and everywhere to land. The color progressions multiply across the surface into something close to abundance. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 10 - Acrylic on canvas board. Multiple panels, modified. Full spectrum with larger panel cells and more breathing room than No. 9 — warm orange, magenta, and yellow pushing forward in the lower half. The system at a slightly different scale, and no less alive for it. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 11 - Acrylic on canvas board. Two panels, duplicated and modified. Earth tones anchor this piece — dark brown, ochre, olive, and burgundy — with cooler blues and teals cutting through the middle like water through dry ground. The most autumnal work in the collection, and the most grounded. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 12 - Acrylic on canvas board. Multiple panels, modified. The density here is the result of multiplication rather than accumulation — the surface pushed until it becomes almost too full to read at once. The black and white lines are working hard to hold the whole thing together. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 13 - Acrylic on canvas board. Multiple panels, modified. Blue dominates, with red as a strong counterweight and yellow as punctuation. The composition is confident and relatively spare — the color logic feels settled here, like a system that knows exactly what it's doing. Available as an art print in multiple sizes. Inquire about the original.
FIELD NO. 14 - Acrylic on canvas board. All 24 panels, unmodified. The largest and most resolved work in the collection. Full spectrum, maximum panel count, the grid pushed as far as it goes — and yet the underlying color logic keeps everything coherent. Available as an art print in multiple sizes. Inquire about the original.